Foreword
I spent quite some time experimenting with film and long exposures. This made me comfortable with minute-long exposures, where some frames would take half an hour to expose properly. When migrating to digital, it all changed. I am still learning and improving my technique.
This section is a personal study and adventure with long exposures throughout the years.
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
Sardinia Island, 2018
Endless island. This the motto used by the tourism association in Sardinia. To their credit, it does justice to the wonderful landscapes and sceneries the island has to offer.
Asinara
Formely a prision-island, Asinara is now a nature reserve, with access limited by the couple ferries that go to the island. It is a sought after turistic destination.
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
BRATISLAVA
I have visited this city countless times, and it also became a subject of study with long exposures. The Mediterranean sea gave place to the Danube river, and the sand, pebbles and medieval towers opened space to roads, concrete and chimneys.
Bronica ETRSi
Zenzanon PE 75 f/2.8
Kodak T-Max 400
Canon 6D Mark II
EF 70-300 f/4-5.6L IS USM
Canon 6D Mark II
EF 70-300 f/4-5.6L IS USM
Canon 6D Mark II
EF 24-70 f/4L IS USM
CRETE
The time I spent in Crete was coincidently the time I was also experimenting with long exposures and landscape photography with digital for the first time. It brought back a torrent of memories from the endless island.
Canon EOS M50
EF 24-70 f/4L IS USM
OSTIA, ROME
At last 2025. It's been so many years experimenting and playing with long exposures, and yet it feels like I have just begun.
Fujifilm X-Pro 3
XF 16mm f/2.8 R WR